On Frank Zappa
“I don’t give a fuck if they remember me at all.”
-Frank Zappa, July 1, 1983
Frank Zappa was the Mozart of the 20th Century, and consistently pushed musical, intellectual, and philosophical boundaries over the span of his thirty-year professional career in a way that no other popular musician ever has. A genuine artist who approached his work with the same enthusiasm, dedication, and deep understanding of his field as the great masters, Zappa was in a constant state of reinvention and renewal, and redefined what was possible in modern music. His unique ability to break a style or genre down to its component parts and reassemble them in his own distinct fashion was the hallmark of a musical project that spanned more than sixty albums in his lifetime and many more since his death. More than any of his contemporaries, Zappa understood the nature of music, and used it to deliver messages larger and more complex that the simple mantras of love and happiness (and/or societal disenchantment) that dominated his era. He was also a staunch advocate of freedom and liberty, a shrewd businessman who by the time of his death owned every note that he had ever recorded, and a vocal defender of individual rights. In short, he was the leading intellectual force in popular music during his lifetime, and his legacy will only continue to grow with time.
A lot of analysts seem to be giving Philadelphia’s Michael Leighton the edge over Chicago’s Antti Niemi. Many cite Leighton’s superior GAA (1.45 to Niemi’s 2.33) and save percentage (.948 to Niemi’s .921), and lone post-season loss as indications that he’ll emerge victorious in the series.